
Mix #13: Cubic Feet Per Second
Having left the hallowed, hushed halls of academia (for the time being) and moved to a climate where hot, moist air curls on top of the City of Austin everyday around 2:30 PM like an enormous, radioactive, soaking wet housecat, I’ve spent the last couple of weeks wondering if I’m getting dumber. I can practically feel the lack of annotated bibliography assignments–and the blowtorch of the Texan summer sun–sucking all the smarts right out of me. Or maybe I’m entering some kind of halcyon Cameron 2.0 era, where I emerge from my desert cocoon of bad animal puns and intellectual fakery to grow mutton chops, take up bonsai pruning, and let Zen koans flutter from my lips like autumn leaves.
As I’m currently unemployed (an advanced humanities degree does not a job make, my friends), I’ve been spending my time watching a lot of PBS and getting back into running. And listening to more dancepop and mid-career Springsteen (thanks, Gwynne!) than is probably healthy. And I’ve rediscovered one of the real joys of putting on a pair of trainers and heading out the door: unearthing trails and weird cultural landmarks in a new city. A couple days ago, I got lost in Zilker Park and ended up near the back entrance to Barton Springs pool. AKA the Park’s seamy wet underbelly where I witnessed three different drum circles taking place surreptitiously in the bushes, and almost ran over a crusty punk trainhopper who’d passed out while taking a dump in what looked to be a cluster of poison oak.
I’m mulling over the idea of signing up for the San Antonio Rock ‘n Roll Marathon in November. Even though it seems depressingly corporate and I’m skeptical about the quality of the “rock ‘n roll” that’s going to be served up every mile on the course. I’m picturing lots of white-guy-in-fedora-Dad-rock blues bands and mangled Skynard covers. I’m also increasingly skittish about leaving Austin city limits (zing), fearing the red-state wilderness of Texas-at-large. I’m hesitant to go anywhere outside the safe boundaries of the city, except down to San Marcos to eat yogurt out of Gwynne’s fridge without her knowing about it, or try (unsuccessfully) to nap on her tiny, tiny, tiny couch with my lumbering, man-child frame.
1 / The Hold Steady – Atlantic City (Springsteen cover)
2 / Ghostland Observatory – Sad Sad City (One of Austin’s finer exports, even if their frontman, Aaron, looks too much like an extra from Smoke Signals. Boy sure can swivel those skinny hips, though.)
3 / Ratatat – Wildcat (the song to which all of my future children will be conceived)
4 / The Knife – We Share Our Mother’s Health
5 / DJ Kaos – Love The Night Away (Tiedie Mix) (Perfect poolside. Or, as the typically bombastic Pitchfork notes: “The bongos are pure Balearic disco, and the gruff, assertive, and sincere vocals firmly in the tradition of Italo classics. But the end result is a passionate dancefloor slow burn of intense beauty, an incomparable summer soundtrack.”)
6 / Memory Cassette – Asleep At A Party
7 / Handsome Furs – All We Want, Baby, Is Everything (There is no more direct path to my heart, I think, than the dark, petrol-choked, ice-paved road of Wolf Parade side projects. From this year’s excellent Face Control. And, as Wikipedia reminds us, “The inspiration behind Face Control involves a peculiar aspect of club culture they observed while on tour in Eastern Europe: if party goers wish to reserve a table at a bar in Moscow, they must pay large sums of money through PayPal or with cash; however, their seat is still not guaranteed – bouncers have the authority to turn reserved patrons away from the bar based solely on appearance, which has been coined ‘face control.’”)
8 / Handsome Furs – Radio Kalininbrad (God, this one too–somehow these epic, swirling, shrieking layers reach that pure vein of nostalgic sonic warmness that previously only My Bloody Valentine, The Radio Dept., Slowdive, or somehow stumbling across an episode of The Wonder Years on cable late at night could hit.) <via Winnie Cooper, duh>
9 / Sonic Youth – Tom Violence
10 / Robots in Disguise – The Sex Has Made Me Stupid
11 / Portland Cello Project f. Laura Gibson – Hands in Pockets (cooldown)




















